The work “Spor, stier, merker” is composed out of traces after musical objects, signs of appearing sound-objects, potential phrasings, ambivalent harmonics, diffuse soundfields and similar ill-defined things.

Its built on whats left after an impact and the signs bearing promises of something appearing, setting up a structure where sound-objects are placed, takes them away, and moves around in whats left.

While working on the piece ive explored physical modelling techniques to control processes on musical levels associated with traditional composition-tasks: pitch, rhythm, harmony, polyphony, texture.

Anders Vinjar - 2008